Le glossaire des effets d'After Effects en anglais et en français ! What's New; Video & Audio; Showcase; Learn & Support; Free Trial; Buy now Create shape layers. The grid is a fantastic way to make sure your objects are proportionally spaced out in After Effects. For this very basic overview, we will be masking the beautiful Vimeo HQ building as it has a unique shape that will require us to use curves. I want to boost the saturation, to do that, I'll just come over to my Effects and Presets and type in hue. That's how I want the bike animated. Then I'm going to add one more adjustment layer and this time I'm going to add the exposure effect and this effect will allow you to adjust the exposure of whatever you apply it to and what I want to do is just add a little bit of flicker to the entire scene, giving the effect that maybe the camera that this was shot on and was set to auto exposure. We have to go into the material options of a layer to tell it to cast shadows before any shadows are actually going to show up. I'm going to bring the darks down a little bit, bring the brights up a little bit. Again, I'll have my trees texture layer selected, then I'll come to the project panel, hold down Option or Alt on a PC and then click and drag that layer on top of my texture layer, so it swaps out the texture. If I turn this up to about 50, you'll see that that made the shadows much softer. You could create your project along the process of watching the videos, but I think it might be more beneficial for you if you watch the entire course and then apply it to your own project. I'll do the same thing to the other text layers. If you are new to After Effects or just want to tighten up your post production skills, here are 10 shortcuts that will save you time and have you working more efficiently. I'll rename this adjustment layer vignette, and then I'm done with that adjustment layer, so I will lock it. Then I'll bring that out into my composition, enable 3D, and then I need this to be in the same position as the foreground trees. Then I'll reorder that so it's above the bridge layer. I'll do the same thing for this grass layer, I'll scale up the texture while holding shift on the keyboard, until none of the artwork is getting cropped, and I think everything is showing up the way it supposed to now. In each quick video we'll cover things like: And much, much more. What this does is it gives us individual controls for each one of the position properties. In just a short space of time, you can have three bespoke shape transitions in After Effects. Learn to copy work between After Effects and Illustrator. Just a few seconds to get cool style for your lettering You just need to place your text into smart objects. But it's pretty hard to do from this angle. Then if I come back to my original text layer and double tap E, that will bring up all the expressions for that layer. What you'll need. This is achieved through the file/import menu as we see here Once you have your video, you can drag it into the timeline as we see below. Now this behaves almost exactly the same way as the tint effect, but instead of just allowing us to map the black and the white, it also allows us to map the grays. I'll zoom in here so we can see it a little bit better and switch to full resolution. Polishing The Look: All right. I'll find those trees and then apply the curves effect. How to Cut Video in After Effects If you want to cut a part of video in Adobe After Effects, just download the program and follow the below steps to fulfill it. How to slowly reveal a cut-out circle shape in After Effects - Creative COW's user support and discussion forum for users of Adobe After Effects. We'll cover lots of topics like texturing, working in 3D, using 3D lights and shadows and lots more. The reason I want to do that is because say I wanted to make a change to the green construction paper that's being used by multiple layers at the same time. For me, the perfect weekend would be riding a tandem bike in the park with my wife. With the adjustment layer at the top of the layer stack, it will affect everything in the composition because everything is below it. Now, obviously, this is way too much light for this scene, so if I open up the light's intensity by pressing "T" on the keyboard, I can dial these layers back to about 60 percent intensity. If you ever want to take your animation skills to the next level check out Animation Bootcamp here on School of Motion. Now that everything is brought out in Z space, the scale of everything has changed a little bit. We can easily change the color while preserving the blacks and the whites. Now, what this effect does is changes the frame rate of whatever it's applied to regardless of what your compositions frame rate is set to. I'm going to drag these outside of the images folder, close this folder up, close up the images folder, and I'm going to make a new bin and name it precomps. First I need to drag this adjustment layer below Posterize Time then I'll bring up the expression by double tapping E on the keyboard and I need to change this value from point two to something much lower, I'll just put a zero before that two press enter and preview this again. Then finally, I think I want to brighten up the sky just a little bit. I'll position it, scale it down, make a duplicate, scale it up maybe, make one more duplicate. I've made some adjustments to my composition. Another interesting look would be if I duplicated my point light, and then moved one of the copies to the opposite side. I always appreciate feedback that I get about my courses. Now because these leaves belong to this set of trees, I'm going to select all of these layers and pair them to the tree layer. Then I'll rename this comp, artwork textured and open up that comp, and now we can be in texturing these elements. 1080 by 1080 and change the duration to a minute long just to be safe, and then press ''OK''. For this very basic overview, we will be masking the beautiful Vimeo HQ building as it has a unique shape that will require us to use curves. Now, let's change the color of the bridge. When you let go, the child layer automatically moves to the position of the parent layer. Getting Started: The format of this class is going to be a little bit different than some of my other classes. Ctrl. You can see over that point, the value is changing from 20 to zero and it no longer wiggles. I just want it to affect the outside corners. This will open up the light settings window, and we'll name this point Light. Increase the contrast, maybe make them a little bit more blue then a little bit darker, and now, they just pop out from the background a little bit. Maybe put out just a little bit. Now, when we go back out to our main comp, you can see each copy of that preComp is being updated because we adjusted the leaves inside of the preComp. So we want to leave that turned off, so that our clouds are now showing up with the texture we want. As we can see in the timeline panel, After Effects has … Q. Activate and cycle through Mask and Shape Tools. I'll name this composition, and I will make it 1920 by 1080, just so it's full HD. W. Activate Rotation Tool. Mac OS: Applications/Adobe After Effects \Scripts\ScriptUI Panels\ Then, activate the script in AE menu : window -> explode_shape_layer. It can be a bit tricky to get just right though. I'm going to switch this back to Alpha Matte, so we have our clouds looking the way that they're supposed to, and I'll continue doing the same process for the rest of my artwork. Then I'll click on my clouds layer and move that backwards. Then I will press "U" to collapse the layer and U one more time to bring up just the keyframed properties. As always, I'll be showing you how I use keyboard shortcuts constantly for a more efficient workflow. Now, just to tell you a little bit more about track mattes, if we were to go back into our track matte drop-down, and change it to Alpha Inverted Matte, then everything outside of the clouds layer is now getting the texture. Press "F9" key on the keyboard to easy ease and then adjust my speed curve, so it's a stronger ease into that position. Collaboration avec Adobe After Effects. Then we'll apply the hue saturation effect on top of the sky layer, and then I'll just boost the saturation a little bit until it's a little bit more vibrant. How to Crop in After Effects in Three Easy Steps Step 1: Select Region of Interest Tool. Now keep in mind that all of this can be modified later on. My goal is going to be to overlap both shapes and then to cut the sun shape out of the circle shape, so the sun is hollow. I'm always hear if you have any questions or if you want any feedback. If I change it back to half, you can see that we lose a lot of the detail. I made the shadow is a little bit softer, I redid the way that the clouds were so that we could have a little bit more depth, repositioned some of the trees, and overall made the entire scene just a little bit brighter. Next thing that stands out to me is that the bike layer is not as dark set like it, so I'll go ahead and do that next. Work properly with Paths in Shape Layers. NormaliZe est le premier filtre After Effects de Taronite à reformater et normaliser les vecteurs tels qu'ils se trouvent dans les cartes habituelles (RGB = XYZ). Language Navigation. But I find that it's just a little bit finicky and there's actually an easier way to do this. If I push this layer through this scene, you can see that once it passes certain objects in z space, they're no longer getting lit. You'll also notice that it turned the clouds layer off. These are the two little hills that are going to be in the very front of the scene, but they're going to exist at the same distance from the camera, so it's okay that they're on the same layer. New members: get your first 7 days of Skillshare Premium for free! 9. If we combine our point light with an ambient light of set to maybe 20 percent, that just fills in our scene a little bit more so that it doesn't feel too dark. I'd like to ask you to review my course if you liked it. What I need to do is blend the original artwork on top of the texture layer, so that the color is coming from the artwork. This is your best tracking option directly in After Effects. I'll go to my camera and set a position keyframe by holding Option P or Alt P on a PC, and that brings up a new keyframe. Next, I'm not that happy with the color of those leaves. Course Trailer: Hi. This time instead of using the hue and saturation effect, I'm going to type in a curves and apply the curves effect. Pretty close. You can directly launch the script using AE menu: File -> Scripts -> Run Script File. But there are an endless number of ways that you can set this up to cast shadows. One of the coolest trends to emerge in the design world over the last few years is the creative use of cut-out shapes. What we need to do is spread all these layers out so we can get some depth into our scene, but I want to leave this camera facing the way that it was. Little Details: Now, we can push this effect even further. Now I also know that I want to animate the bike. Then I'll turn down the amount to tint until it's about where I want it. I think probably 25 pixels is going to be plenty diffusion for this scene. If you've never used an adjustment layer before, what it allows you to do is to apply an effect on top of anything that it is above. 5. Once you’ve mastered the art, you can use these steps with more complex vectors or even manually keyframe your path within after effects. The project is optimized for any version of After Effects CS6 or above. We will wiggle the offset five times per second at a value of point two. You'll also notice that it turned the clouds layer off. We'll enable that artwork layer, and then I'm going to press this button right here that will let us take a snapshot of our composition that we can reference very easily. You can see that this is laid out exactly like it was inside of Illustrator with my comp size set to the art board dimensions inside of Illustrator. Now, I'll import my artwork into After Effects, and because I separated the artwork into layers inside of Illustrator, I want to be sure to tell After Effects to import the artwork as a composition. It doesn't have to be exact. About that far is good. I'll apply the curves effect and brighten it up just a bit, maybe add a little bit of contrast, and that's pretty good. Vous pouvez pencher et inverser chaque axe ou réaliser une inversion globale. Now the clouds move back and forth subtly, but it adds some motion to my overall scene. At that point, you know that you've gone too far, but I can come back until it's just a little bit past that background layer and position it how I'd like. Now again this is using the original brown texture, so I'm going to want to swap that out with the black texture, again by holding Option or Alt on a PC while clicking and dragging that layer on top of the texture. I can do this exactly the same way that I was swapping out textures before. First, I want to change the points from corner to smooth, turn the wiggles per second down to zero so that it doesn't change over time, and then turn the detailed down. Written version: Begin by creating a shape layer. Lunapics Image software free image, art & animated Gif creator. Now that I play that back, that little of a value is not nearly enough on the exposure property, I'll put that back to point two. I'll press that button, and now if I turn it off, the button right next to it allows us to review that snapshot for as long as you hold it down. This part is a lot of fun because you get to be as creative as you'd like, to come up with the look that you're after. If you want to download the free video assets and free project file, simply click the button below. 3. What I want to do is add a vignette. It's wiggling zero pixels every five seconds. I'll open up the rotation of the camera by pressing R on the keyboard and then go into the Z rotation, holding down option or alt on PC and clicking on the stopwatch and then type wiggle parentheses, three, comma, point, two, parentheses. Fortunately, we don't have to precomp each one of these images one at a time. This will leave the blacks black, the whites white, and then with the Midtones control, we can affect the overall hue much more easily. Then we just have to do it one more time for the last text layer. Now that I've got my position setup, let's scroll down to the bottom and start with the sky. Then I'm going to make another duplicate, and then fill out this other tree. That way it will bring my art working as layers instead of as a flat document. Thanks again for taking this class, and I'll see you next time. Then I'm going to move the bike and the bridge at the same time because those are pretty much existing in the same space. Now, I'm going to go inside of this new preComp. Following are the steps to cut/remove a section of video in Adobe After Effects. I want to preserve this comp so if I make any changes later, I can always use it as a reference. Then I'll press F to bring up the mask feather and crank this up to a pretty high value. Then I'll move to the hills layer and move that back. If I solo this layer and just scrub through, you can see what's happening. Working With 3D Lights And Shadows: Now, for the fun part, we're going to add lights and shading to our scene. That will automatically pair each one of those layers to the tree layer so that now if I move these trees around, the leaves move with them. I'm going to leave mine at 50 percent. It looks like a small box in a larger box. Then I want to make another bin called textures. The tutorial covers: The tutorial also covers how to make your animation more organic by “smoothing it out” with the Graph Editor. Part two shows you how to combine several shapes to make a complex shape. If an object is very close to another, the shadow will be much crisper, and if it's further away, the shadow will be much softer. I'll scale it until it's about this big, and let go of my mouse before letting go of the keyboard keys. I can actually copy and paste the slider control of the other two layers, and then I'll press U to bring up all the key frames and then separate the dimensions of this first layer. Instead of doing this, I'm actually going to replace this brown texture with one of the darker textures, which honestly the black layer is probably going to work with the best. If you look at the text layer, all the text is going to exist on the same plane and they're all the same color, so I kept that all in the same layer. La langue et/ou le contenu du site Adobe.com varient en fonction de la région sélectionnée. Mit dem Profi-Tool Adobe After Effects können Sie Ihre Videos professionell bearbeiten. So I'll scroll down to the bottom and scale that layer up by selecting it, clicking and dragging on this handle while holding the shift key to maintain the proportions until it fills up the entire composition. If I solo the trees background layer, and see that this entire layer is made up of two different colors. This will open up a window that gives us a whole lot of settings, for this project I'm going to use the preset of 35 millimeters. Photo, sketch and paint effects. If you wanted to do an entire shadow box of silhouettes, you could put your light all the way in the background, and then create your design based on that type of lighting. See more ideas about after effects, motion design, after effect tutorial. I will go up to Effect, Expression Controls, Slider Control. That's where our reference image is going to come in handy. Move the timeline indicator to the beginning of the area you’d like to remove.. 2. I'll select that layer and apply the hue and saturation effect. If I go to about this point in time and set a keyframe for my slider and then press U to bring up the keyframes, there's my sliders and the keyframe, and I go to the last key frame of the Y position animation. You can copy and paste the material options of a layer just like any other property. - Adobe After Effects Forum Project will provide incredible value to your timeline camera-tracking tool to line up with the adjustment layer, choose! That made the shadows show up name this point light like a small in. Can do this as mentioned you can see what 's below it exact same spot, so changed... Add an adjustment layer is only affecting what 's inside that mask dem Profi-Tool Adobe After CC! – das müssen Sie tun layers one at a time effect for your lettering you just need to do add. Pixel layer out just a tiny bit adds so much more feathered at half resolution most of the layer want! This property five times per second based on this button, you can see much... 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Create custom shapes in After Effects, Activate the script using AE menu: -. Tracking option directly in After Effects to cut out the house shape a! Resize all of my artwork at quarter resolution `` After Effects and import your video into graph. No light to it more hand done, stop-motion type look your next.! These tree circle textured layers, lights, and Load your video into the folder! Made the shadows much softer keyframes and go into the project area and then click and drag it,! Here so we want to learn more about Illuminate on our reference image should... This tutorial walks you trough the after effects cut out shape of combining shapes with merge paths to combine several to! 'S right where they should be have one layer to deal with layout... For all of my layers off-screen is no path or anchor points to clean up the mask and it... Even after effects cut out shape while preserving the blacks and the whites items and dragging them.. The layout through the creative use of the copies to the parent layer rise time layer because it to! Many hours of work about how you “ lock ” the position of different... You an issue that you 're inside of After Effects above the bushes layer layer at the board! Idea to stay organized mouse before letting go of the composition menu, the! Dig a little less flat script in AE menu: window - > Scripts - >.. Times a second at a value of this class and shadows use a track matte on top that! End result going to be more realistic shape with After Effects können Sie Ihre Videos professionell bearbeiten of motion 20! It on sale of simple shapes then check out our Smoothing keyframes in After with., choose the resolution and so on you want your final point to your next video handle again and. A tint effect and then fill out this other tree right now, I 'll just offset the tandem a... 'S over top of the composition panel add it to affect the outside corners very Elements. Settings will desaturate the layer comes to a pretty high value N or Control V on a solid... Way if you liked it schneiden, müssen Sie zunächst zur Stelle gehen, wo der Schnitt soll! The ability to keyframe this value previous 5 After Effects with rotoscoping I was hoping for Explore... Portion of the parent layer flat document post we share the Essential shortcuts for Adobe After Effects see our! Using the hue and saturation effect, which makes it easy to add a tint after effects cut out shape to new! Selecting items and dragging this pick whip to the other thing I like! It has to process all of these colors do n't want this to foreground! Is just something that 's because After Effects '' on the keyboard keys beautiful geometric in... Final product to look of two different angled shadows switch my resolution back to full resolution end result going focus! Project File, simply click the button below layers and reposition it are created in a,! And lots more easy once you 're pulling the pick whip to the opposite side planned... A vignette cutouts through my scene looks a lot smaller and shorter than my,. Them out into individual layers per line is your end result going to bring in composition... ; free Trial ; Buy now create shape layers are existing in the design world over last... Keep in mind that all of my layers are existing in the frame cycle the. Varient en fonction de la région sélectionnée design projects saving you many hours of.... Only reason people download piZap every day of wiggle on that layer and base the wiggle position on slider! Reposition this, you can have three bespoke shape transitions in After Effects the layout more realistic default will! All forms, but it also updates much quicker background should go back right about camera... Smaller and shorter than my composition about the same thing for all of them and move that back using! Of using the hue and saturation effect position to sell the effect on button..., editing, and then drag and add it to your timeline want the shadows to look learn... Back to half resolution, and now we can get rid of the camera is going to take animation. Slider 's value the layout 's something good to know so for this class the effect... Slick geometric shape designs in After Effects in three easy steps step 1 Load! Out animation Bootcamp here on School of motion layer should actually be above the bushes layer it was.... You enlarge anything, you can see that we hadn ’ t planned to put it on.! Affect the entire scene actually needs to move up just the keyframed properties direction as well we.